February 17, 2020
Do you think someone could be a writer if they don’t feel emotions strongly?
When I first started writing the Harmony Duprie Mysteries, I had some early critiques that pointed out her seeming lack of emotions. The thing is, despite her eccentricities, Harmony is a logic-driven personality. That doesn’t mean she doesn’t feel things deeply, she just doesn’t show that side of her persona easily.
It also makes me wonder how often this question is asked of women vs. men, and of female characters vs. male characters. There are still lots of people in today’s world that believe that women are emotional creatures driven by hormones and therefore somehow “less” then men. Obviously, I’m not one of those people.
There are times when writing Harmony is like walking a tightrope. Too much to one side or the other, and I lose what makes her who she is. Just because she keeps her emotions tightly controlled doesn’t make her heartless. It’s just means that she’s weighing her options carefully.
I hold that the same is true for writers. Not every book is driven by emotions. There’s good vs. evil and right vs. wrong. Sure, human emotions play into these plots, but they aren’t necessarily the focus.
On the other hand, emotions are what drive readers to like or dislike the
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characters, to feel a part of their story. If all emotions are stripped from a book (is that even possible?) readers won’t find anything to relate to. And how difficult would it be to write an engaging story with no action and only emotions? There’s the tightrope again.
Back to the original question. I’m going deep here. One of the characteristics of a sociopath is shallow emotions. At the same time, they can be charming and manipulative. And isn’t that what a writer is doing when they write a book? Attempting to manipulate the reader?
Oh, and we’ve entirely skipped the whole idea of non-fiction books that are factual, not emotional. (Text books, anyone? Technical writing?)
So, yes, I believe that someone could not feel emotions strongly and still be a writer. For fiction books, I’m not saying they’d be a good writer, but yes, they could be a writer.
I’d love to hear your take on the topic. Just scroll down a ways. Keep scrolling, you’ll get there. While you do that, I’m off to see what the other authors on this hop have to say.
February 17, 2020
Do you think someone could be a writer if they don’t feel emotions strongly?
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There is a down side. I absolutely love getting out and talking to people at book signings. If I was a best-selling author, would I lose that ability? I hate the idea of “sign the book, now move along.” There’s no personal interaction in that scenario. (That’s me, talking to someone at the Deadly Realities book signing last fall. I don’t even know when this picture was taken. I was too busy paying attention the the person on the other side of the table. Yeah, I’d miss that.)
The first one I want to mention is put out by ALLi. (The Alliance of Independent Authors) I’m going to join that group one of these days, but for now, I receive their weekly newsletter for non-members. They cover both the craft and the business of writing. They lean heavily on posts from their self-publishing advice center, but also bring in other experts.
Last and probably the worst on my list of distraction. Social media. Any of it. All of you knew that was coming, right? It’s a necessary evil for an indie author, but man, it can be a time-killer. I love seeing all the cool pictures other authors post; but that doesn’t get a book written. Reading reddit forums can generate new book ideas, or just waste time. There are a lot of good podcasts out there, but it’s like mining for gold to get useful information from many of them.
My hunger for reading soon led me to more mature books. Ivanhoe. Rebecca. Frenchman’s Creek. The Scarlet Pimpernel. Even then I preferred novels that featured more action than romance.
different my answer will be today than it was twenty-some years ago. Put it this way- I only recently purged all my old copies of The Writer’s Digest from storage. And I still have one year’s worth of Poets and Writers (once upon a time called Coda) on my bookshelf. Stashed away, I have the 2001 edition of the Poet’s Market, with 1800 places to publish your poetry. (Which I’ll probably end up throwing away because I can’t come up with a justification to hold onto it.)