Writing and/or Revising #OpenBook Blog Hop

Discuss: “Write the book you want to rewrite—

because most of writing is revising!

“Don’t agonize over every word in a first draft; that will only slow you down. Just write the story. Get it onto the page. Drafting is the stage where you capture the idea. Revising is where you figure out how to really tell the story well.” -Beth Kander, author of I Made It Out of Clay

When I started writing, I was a speed demon, throwing words on paper with little worry about their “rightness.” I just wanted to get the story in my head out of there and make room for more. And, as Kander notes, that meant those stories needed a lot of revision.

My earliest attempts didn’t result in what I consider publishable works. Not only was the writing stiff, but the stories themselves lacked merit. No number of revisions would fix them. One, I revised at least eight or nine times, including changing points of view, before finally giving up on it. Another, I started over from scratch after trying to revise it for a decade. (That resulted in Edwards Investigations: The Rimer File.) As I have said several times, the story wasn’t a revision of the first draft written long ago; it was a tribute.

My writing pace has slowed down in the past few years, and I suspect it’s because I can’t turn off my inner editor.

I struggle to find the right word – or a better word – or a better word than that – as I write. (Last night I spent 15 minutes deciding if I should use ghost, haunt, or haint.)  I worry about the order of sentences. I stress whether the story is going in the right direction, or if I need to go back and add a scene or take away a paragraph. Little things that I might not catch in a revision bother me. I have to go back and change them. Big things might never get written if I think they won’t work out.

And yes, I know what the advice is, not only from Kander and others. Write first and then spend the time in revisions. But editing as you go can be a hard habit to break.

Even writing these blogs takes me what I consider to be too long. I don’t want to come off like I know it all. I don’t. Not even close. At the same time, I want to be an encouragement to other writers. We’re all reaching for the same goal – to get our words seen by as many readers as possible.

I worry too much.

About getting things perfect, although I know I won’t. I want my words to mean something. To me, at least, and hopefully to others.

So, I suspect I will continue writing at a snail’s pace. It’s frustrating. And satisfying when I pull together a line that sings. It happens once in a while.

How about the others on this hop? How do they interpret this quote? Check out their posts by following the links below.

As always, until next time, please stay safe.

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Click here to enter

March 17, 2025

Discuss: “Write the book you want to rewrite—because most of writing is revising! Don’t agonize over every word in a first draft; that will only slow you down. Just write the story. Get it onto the page. Drafting is the stage where you capture the idea. Revising is where you figure out how to really tell the story well.” -Beth Kander, author of I Made It Out of Clay


Finding New Sources For Research #OpenBook Blog Hop

Feb 10, 2025

Kelly’s daughter asks: How did you find the facts (that inform your book)?

We’ve talked about research before.

For my recent book, The Rimer File, my normal sources of research didn’t work. The time frame the story was set in was not quite historical, but at the same time, pre-internet. Sure, the songs of from those years are well documented, but it surprised me how much information I tried to discover but couldn’t find.

For example, I wanted to know what color the uniforms of Pittsburgh police were in 1985. I couldn’t find it on-line. It has been suggested I call the police museum, but there doesn’t seem to be one. But if I called the main police station, they might be able to direct me to someone who knew. Instead, I wrote around it. (It was a minor reference and didn’t make a difference to the plot.)

I also put a lot of effort into trying to find a walkthrough of the old Civic Center of Pittsburgh. I found snippets, but none of them covered what I what I was looking for. There is a recording of a walk up the stairs to an upper level, but no peek into the skyboxes, where I was hoping to set a scene. So, I reached out to family who lived in the area, and they reached out to friends. But none of them had ever been to the skyboxes. I ended up ‘fudging’ the background for the scene based on other arenas.. No one has complained. (yet!)

There are other places to dig for information.

There are these things called books with a subset known as encyclopedias. (Do they exist anymore?) They were filled with all kinds of facts. The trouble with them is that they were hard to keep up-to-date. I can’t tell you the last time I opened one, but I used to spend hours browsing the articles in the set we had at home. Then there are also non-fiction books of all sorts.

But especially in the area of firearms, I always end up depending on the internet for basic information and then on knowledgeable people for details. (Guns of various sorts show up in all of my books, and I’m no expert.)

One source of research that isn’t usually considered is personal experience. Writers are often told to write what they know. And I’m old, y’all, and have seen and done lots of things in my life. That information finds its way into my stories.

 

Do any of the authors on this hop have other sources of information? Find out by following the links below.

As always, until next time, please stay safe.

You are invited to the Inlinkz link party!

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Feb 10, 2025

Kelly’s daughter asks: How did you find the facts (that inform your book)?

 

 


Revisiting An Old Manuscript #IWSG

Insecure Writer’s Support Group (IWSG) is enjoying its monthly blog-fest invented by Alex J. Cavanaugh. IWSG is a safe haven for insecure writers of all kinds.

The awesome co-hosts for our February 5th posting of the IWSG are: Joylene Nowell Butler, Louise Barbour, and Tyrean Martinson!

QUESTION: Is there a story or book you’ve written you want to/wish you could go back and change?

I’ve done this!

The first draft of The Edwards Investigations was written over a decade ago. Back then, it was called The Edwards Agency. I knew it held promise, but it just wasn’t there. I attempted several times to revise it, and I even started a second book, but I never made a commitment to the changes.

And I knew what the problem was. The book was ‘dated’ but wasn’t old enough to be historical. It just felt like it was something I’d pulled out of a box and presented to the world.

But it bugged me. I’d fallen in love with the characters, and didn’t want to abandon them.

 So, I started over.

First thing I did was to pinpoint what years I wanted the book to be set in. That helped define the settings. I didn’t even open the old manuscript, except to verify the main characters’ names. But I didn’t need to. The story had taken up a permanent residence in the archives of my brain. And stayed there. It became no more than a background for the new plot.

Still, it took me over a year to complete the new and improved product. (Partly due to personal issues I won’t go into here.) But when I finished it, it came with a sense of accomplishment. I’d finally done justice to the original premise without replicating it.

Now, I’m working on a second book in the series. It’s slow going, but it’s going to take time to weave together the threads I envision.

That’s it for me. Hope you’ll check out some of the other authors who are part of the Insecure Writer’s Support Group

And as always, please stay safe until the next time.


Best Part Of 2024 #OpenBook Blog Hop

Jan 6, 2025

What was the best thing that happened to you in 2024? (Writing or otherwise?) The worst?

Easy answers this week. Let’s start with the good.

Let’s start with the best thing that happened this year. I (finally!) released a book that had been in the works for over a decade, off and on. The Edwards Investigation, The Rimer File, was a departure from anything I’d written previously, and took a lot to write. I needed to dig deep to allow myself to explore the dark side of human nature. After writing the light-hearted Harmony Duprie and Jake Hennessey books, the challenge of The Rimer File was an accomplishment that was worth the effort.

It may not have become a best seller, but it brought me immense satisfaction. I feel good enough about it that I’ve started a second book in the series. (The new story doesn’t have a title yet.) I started a new opening chapter, (the first try was all wrong) and Annie, my protagonist, is already dealing with a murder. And the potential plot has changed since I began writing the story. (My characters have a way of telling me what’s really going on.)

It wasn’t the first time Annie had sat on a curb waiting for the cops to interview her, but at least this time, she wasn’t in handcuffs.

Now for the worst thing.

It’s not writing related, and I’ve mentioned it on here before. My beloved mother died at the beginning of 2024. It was expected, but that didn’t make it hurt any less. We were blessed, because she made it to the age of 95.

How about you? What was your best writing moment of 2024? To find out what the other authors on this hop accomplished, follow the links below.

As always, until next time, please stay safe.

You are invited to the Inlinkz link party!

Click here to enter


Jan 6, 2025

What was the best thing that happened to you in 2024? (Writing or otherwise?) The worst?

It’s Obligatory – Setting Goals #OpenBook Blog Hop

Dec 30, 2024

Setting goals for 2025: what are your writerly New Year’s resolutions?

It’s that time of year.

Everyone will tell you so. If you haven’t done it already, you should set your goals for the New Year.

Bah. Humbug.

I hated the whole goal-setting thing even when I was in a paid position. Too often, the team goals were artificial and based on factors outside of our control. Yet, they were used to help determine our pay raises. So, why would I want to set goals for myself?

Sure, the idea makes sense. Goals can create a sense of accomplishment when they are reached. But they also carry the taint of disappointment and worse, self-deprecation if circumstances interfere with them. We all know life happens. And writing can be hard. We don’t need to put obstacles in our own path.

But I have things I plan to do.

I’ve committed to writing a short story for an anthology supporting K9s for Warriors. (service dogs for disabled vets). The second book of the Edwards Investigations is taunting me. (After writing the first chapter I was stumped, but I think I know where I went wrong. I started in the wrong place.) If all goes well, there’s another story in the Free Wolves series that is hanging out at the back of my brain.

I won’t finish all three. (That’s what is called a stretch goal and is doomed to failure.)

If I want to pad my goals, I could include this weekly blog hop post, the critiquing I do for other writers, and my social media involvement. I would include the numbers of festivals and book signings I participate in. (No goals on how many books I will sell. Experience shows it’s impossible to predict.)

So those are my hopes for 2025. Not goals.

How about the other authors on this hop? Do they set goals? Find out by following the links below. (New links will show up mostly on Monday, but could show up all week long.)

And, as always, until next time, please stay safe.

You are invited to the Inlinkz link party!

Click here to enter


Dec 30, 2024

Setting goals for 2025: what are your writerly New Year’s resolutions?

It’s Almost Here! Edwards Investigations – The Rimer File

Only two more days until you can join Annie McGregor in her quest to become a private investigator.

 

 

It was time to turn the tables, go hunting, and to visit as many of Ian’s old haunts as possible. If anyone could track him down, it was she.

The man outside tossing a bag into the garbage bin looked familiar, but Annie couldn’t place him. There were lots of residents in the building she hadn’t met. She’d probably passed him in the hallway or shared the elevator with him. He spared her a sideways glance and a nod and nothing more. He didn’t seem to recognize her, either.

Nothing unusual happened on the stroll to the shop, but Annie didn’t allow herself to relax. If Ian had hired Lucky, he might have another accomplice in place. Her revolver tucked into the small of her back and covered by the oversize blouse was cold against her skin and reassured her she was ready for anything.

Annie had exchanged pleasantries with the elderly female clerk at the store on several trips, The lady, involved in her normal game of solitaire, studied the playing cards and barely gave Annie a glance. The store smelled like old people, and the racks held a colorful selection in styles Annie’s deceased grandmother had worn. Nothing she’d ever choose for herself, which made them perfect for the occasion.

The bell over the door rang, and from the far corner, Annie peered around a stack of brightly colored flowered blouses to check out the newcomer. At first glance, he looked like the man by the garbage can, but his silhouette reminded her of someone else. She ducked behind the rack. What the hell was Mike doing here?

She had two options. Three, when she thought about it. Slip out the rear door. Hide until Mike gave up, deciding she wasn’t there, and left. Confront him.

She slithered through the clothing racks until she was back-to-back with him as he held up a brown suit that appeared to be several sizes too small. “The brown isn’t bad, but it won’t hide that Dick Tracy profile, Mr. Edwards,” she said, pretending to browse through a rack of polyester pants with elastic waistbands.

“And you need to change your perfume, Ms. McGregor,” he replied.

Coming November 2nd to major e-book retailers.

Edwards Investigations – The Rimer File Cover

The 80s. Pittsburgh, PA. A man’s world.

All Annie McGregor wanted was to nail a cheating husband and prove herself worthy of being more than a glorified bookkeeper.

What she found when she opened the back door of the bar-of-the-night was so much more than she bargained for. A mutilated body that bore an eerie resemblance to her ex, and a stint in handcuffs.

Maybe becoming a private investigator wasn’t in the cards. Even with the guidance of her boss, Mike Edwards, and the other investigators of the Edwards Agency, Annie struggled to close a case. Add in her run-ins with the local cops, and things got messy.

Then bullets started flying. What really had her worried was that the second one wouldn’t miss.

 

It’s almost here!

If you follow my newsletter, you’ve already seen the cover, another fine creation from my cover artist, K.M. Guth. She had fun with this one, putting in as many clues to the story as she could. But first, q quick excerpt.

Still, Coulson swept the apartment to make sure there were no unexpected visitors before allowing Annie to enter. She waited patiently by the front door while he checked her bedroom and the closets.

“All clear,” he reported when he returned. “You should be safe for the night, unless you invite me to stay.”

He reached out and touched her cheek. “Tell me to go home, Annie.”

She understood the offer and was tempted. It had been a long time since she’d shared her bed. He’d be a fine way to break her celibacy streak. But common sense shot that down.

“I had fun tonight, Coulson, but go home. That doesn’t mean you can’t come back another time.”

“You’re a smart woman, Annie McGregor.” He started to leave but stopped with his hand on the doorknob. “Don’t let Mike give you a hard time. He’s your boss, not your father.”

And now, the cover.


It’s different than anything she’s created for me and I love it. I’m looking forward to having a physical copy in my hands.

Thanks for stopping by! As always, please stay safe until the next time.


Welcome To Edwards Investigations, The Rimer Files

Did you catch my newsletter?

What? You missed it? Quick – head to the right and sign up now!

But the big news is no secret. My new book is finished, and off to the experts to get it formatted for publication. 

It wasn’t an auspicious beginning:

All Annie McGregor wanted was to nail a cheating husband and prove herself worthy of being more than a glorified bookkeeper.

What she found when she opened the back door of the bar-of-the-night was so much more than she bargained for. A mutilated body that bore an eerie resemblance to her ex, and a stint in handcuffs.

But it was the mid 1980s, and was still a man’s world. Maybe becoming a private investigator wasn’t in the cards. Even with the guidance of her boss, Mike Edwards, and the other investigators of the Edwards Agency, Annie struggled to close a case. Add in her run-ins with the local cops, and things got messy.

Then bullets started flying. What really had her worried was that the second one wouldn’t miss.

I’m shooting for a release date of November 2nd.

But my cover artist is out of town, and my formatter was affected by both recent hurricanes, so I won’t make a promise. Speaking of the cover, the front is ready, and I’ll be sharing it soon.

While you’re waiting, here’s an excerpt:

“You never change, do you, bitch?” a man’s voice said.

It was the voice of her nightmares. Annie closed her book, took a deep breath, and prepared for the confrontation. “Go away, Ian.”

“Not a chance. You owe me, and I’m here to collect.”

Her gun was in her purse and the bar too crowded to use it safely. She studied her ex and mentally listed what else she had at hand that could be used as a weapon. Prison hadn’t done him any favors. His boyish good looks were gone, replaced with the face of a man with too many scars and pockmarks. The crude crucifix tattoo on his neck didn’t help.

To even the playing field, Annie slid out of the chair and stood, her feet planted slightly apart, ready for action. She didn’t have time to settle in before Ian pulled back his arm. She anticipated what was coming, having been on the receiving end of his fist too many times.

Her swivel wasn’t fast enough. His knuckles grazed her cheek, and she staggered back a step. The old Annie would have crumpled. This Annie didn’t. She balled her hands together and swung. It was liberating. She’d never fought back.

 

The story has been over a decade in the making. But this version bears little resemblance to the first. I like to say it is more of a tribute to that story, rather than a revision.

I’m really looking forward to sharing this book. Stay tuned for more information.

As always, until next time, please stay safe.


The Best Part of Publicity #OpenBook Blog Hop

Sept 16, 2024

Many of us are frustrated by publicity. It’s our least favorite part of writing.

But what’s your favorite part?

Sit back and grab your favorite brew. I’m about to treat you to one of my infamous “stretching the meaning of the question” answers.

Most authors will tell you how much we hate doing publicity. It’s hard. Pick your poison. Blogs, Facebook and other social media posts. Paid ads in all shapes and sizes. Many times it feels as if it’s nothing but sheer luck whether a certain campaign works. As you can tell, none of those are my favorite.

Then what is?

This is where I stretch the meaning of publicity.

My favorite form is the festivals and other events where I sell my books. I’ve done five events this summer, lasting anywhere from 5 hours to 3 days. Overall, I sold fifty books. I have three more events scheduled before Christmas and am debating a fourth. I’m about peopled out!

 

This is a sample of my outdoor setup. It doesn’t change much from event to event. With any luck, I don’t have to use the few light tarps I bought in case of rain.

But back to the topic. Why is this my favorite form of publicity? Because of the people I get to meet. I love to watch their faces as they read the blurb on the back of a book. Even if they don’t buy one, it’s good to know they were interested enough to spend a few minutes checking it out. The instant feedback is gratifying.

This year was interesting because it was the second year at several events. Although there were many new faces, it was great to run into returning customers. I had one lady send her son to track me down at one event to buy the book she hadn’t bought previously!

Now, here’s some “hard” publicity.

The second and third rounds of critiques on my work-in-progress are almost finished. (They were happening simultaneously.) Then the manuscript is off to my editor and I’ve got a release date in mind. This story has been a decade in the making, and I’m excited to finally present it to the world. I’m fine-tuning the title, but right now it’s The Edwards Investigations, The Rimer File. To get the first announcement of the release date, and an excerpt, sign up for my newsletter. Check out the right-hand column.)

How about the other authors on this hop? What’s their favorite part of publicity? Check out the links below to find out.

As always, until next time, please stay safe.

You are invited to the Inlinkz link party!

Click here to enter

 

 


How Long Is A Chapter? #OpenBook Blog Hop

July 22, 2024

How do you determine where to end a chapter?

A chapter is as long as the chapter needs to be.

That’s the best piece of advice I’ve ever received in terms of how long to make my chapters.

I’ve seen chapters as short as two pages and others so long I have no idea how many pages they were. My typical chapter falls in between.

The first books I wrote, I didn’t stop for chapters. I just started at the beginning and didn’t stop until I reached the end. Then I went back and figured out where I needed to make breaks. Frankly, that wasn’t an efficient process.

It also didn’t work out to start a new chapter each time I started a new scene. The length of scenes is often far too short. Breaking it up that way makes the story choppy. I’ve settled on using section breaks for those as denoted by something like *****.

That still doesn’t answer the question of how I know when to end a chapter.

The first few chapters in The Marquesa’s Necklace came in at around 2000 words when they reached a natural stopping point. It seemed like a sign, so I aimed for each one to be around that length. Since the stories in that series were more lighthearted, the shorter breaks felt like they fit the book better. I wanted readers to be able to read it in short bursts. (Or devour it in one sitting if they feel so inclined.)

But short doesn’t work for The Edwards Investigations. So, the chapters are each more that 3000 words. Nowhere near the 81,200 word chapter in the Memory Of Light, the last book in the Wheel of Time series. Shoot, the entire story isn’t that long.

That still doesn’t answer the question.

How do I know where to end a chapter?

I’ve worked with some authors who attempt to start and finish a minor story within a chapter, with the end of the chapter being a natural end to the mini-plot. I don’t work like that. Although I don’t write cliffhangers at the end of a book, that’s how I like to end a chapter.

How do you determine where to close a chapter? I try to end with a hook, something to get the audience to turn the page and keep reading. Or be ready to pick it up again as soon as possible. Sometimes, finding that moment is a battle. Other times, I recognize it as I write it.

But I don’t make the rules. How do the other authors on this hop know when to end a chapter? Follow the links below to find out.

As always, until next time, please stay safe.

July 22, 2024

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